Analysis of a song from Satan and Adam’s 1991 album HARLEM BLUES. Gussow plays the head, slows and dissects the second chorus, discusses the proximity effect, and notes the importance of “cough” articulations. Power harp for the new millennium.
For a series of skill-graded video tutorials and tabs focusing on classic blues harmonica repertoire by Sonny Terry, Little Walter, Paul Butterfield, and others, please visit:
[adinserter block=”4″]
[adinserter block=”4″] Share on FacebookTweetFollow us
[adinserter block=”4″] Share on FacebookTweetFollow us
Satan and Adam harpist Gussow talks about his own youthful journey into the blues, surveys three excellent blues harmonica websites, and talks about the purpose of this channel. Bonus: Gussow…
[adinserter block=”4″] Share on FacebookTweetFollow us
[Satan and Adam (Sterling Magee and Adam Gussow) in a Swatch watch promo spot intended for in-house use at Bloomingdales’s, etc. The things blues guys do to pay the rent!…
[Satan and Adam (Sterling Magee and Adam Gussow) in a mini-documentary intended for dentists’ waiting rooms, with an introduction by Joan Lunden. If you’d like to purchase a copy of…
