Rod Piazza and Brian Potenziano of The Parlor Cats 2006
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[Final installment of a four-part series. Harpist Gussow, working with Herbie Hancock’s original recording, shows how intensitve listening–in this case, to trumpet and sax–can benefit the blues harmonicist in search…
Analysis of a song from Satan and Adam’s 1991 album HARLEM BLUES. Gussow plays the head, slows and dissects the second chorus, discusses the proximity effect, and notes the importance…
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[Sterling Magee and Adam Gussow, not yet incorporated as Satan and Adam, achieve acute limited notoriety in a widely-distributed rock documentary by an Irish supergroup. Gussow tells the story of…